This week, LA Opera’s Dorothy Chandler Pavilion stage is hosting an exceptional event, highlighting the impressive career of LA Opera’s conductor James Conlon James. His Farewell Concert features excerpts from Verdi’s “La forza del Destino,” Mozart’s “The Marriage of Figaro,” and Wagner’s “Die Meistersinger von Nürnberg.” What better way to pay tribute to one of LA Opera’s most admired conductors than with ensembles, dramatic confrontations, and large-scale finales?
Indeed, Conlon considers those three composers are fundamental pillars of an opera house. Together, they reflect his ability to move between tragedy, comedy, lyricism and monumental orchestral/choral writing—the breadth that has characterized his career.
Verdi’s “La forza del destino” represents his mastery of the great Italian dramatic repertoire, which has been central to his career.
Mozart’s “The Marriage of Figaro” Act II Finale is an extraordinary ensemble scene showcasing exactly what a great opera conductor does: coordinating multiple characters, rapidly changing emotions and incredibly intricate musical timing.
Wagner”s “Die Meistersinger” Act III is an especially symbolic choice because it moves toward Hans Sachs helping the younger generation and accepting change, culminating in Walther's triumph and the great celebratory finale. It represents wisdom, artistic renewal and the passing of the torch: a perfect metaphor for Conlon's departure after 20 years.
This Saturday at 1:00 p.m., tune in to WHRO-FM 90.3 for an afternoon of Mozart, Verdi, Wagner performed by the full LA Opera Orchestra and Chorus, under the baton of a conductor who has spent 20 years mastering the music on this very stage. Don’t forget that you can also listen online via our Media Player.
